A two-part tragicomedy, highly popular with audiences, that has been running for two decades.
Perhaps the greatest reason for the play's success is its intriguing plot, ingenious situations, and masterful dialogues, written using the authentic language of the first half of the 20th century.
Directors – Rimas Tuminas, Arvydas Dapšys
Playwright – Marius Ivaškevičius
Set and Costume Designer – Vilma Galeckaitė-Dabkienė
Composer – Faustas Latėnas
Cast:
POKŠTAS – Tomas Rinkūnas / Ramūnas Cicėnas
SALĖ – Indrė Patkauskaitė
MILĖ – Valda Bičkutė / Agnė Šataitė
HELĖ – Neringa Būtytė / Ilona Kvietkutė
MOTHER – Jūratė Brogaitė
FATHER – Almantas Šinkūnas
VERONIKA – Ilona Kvietkutė / Agnė Šataitė
OSKARAS – Mantas Vaitiekūnas
FRENCHMAN – Vytautas Rumšas (Jr.) / Jokūbas Bareikis / Balys Latėnas / Tomas Kliukas
STEPONAS – Balys Latėnas / Vytautas Rumšas (Jr.) / Jokūbas Bareikis / Petras Šimonis
STASYS – Balys Latėnas / Vytautas Rumšas (Jr.) / Jokūbas Bareikis / Tomas Kliukas / Povilas Adomaitis
LITHUANIANS – Balys Latėnas, Vytautas Rumšas (Jr.), Jokūbas Bareikis, Tomas Kliukas, Neringa Būtytė, Petras Šimonis, Povilas Adomaitis, Ilona Kvietkutė
SOLDIERS – Balys Latėnas, Vytautas Rumšas (Jr.), Jokūbas Bareikis, Tomas Kliukas, Petras Šimonis, Povilas Adomaitis
KING KONG – Vytautas Rumšas (Jr.) / Mantas Vaitiekūnas
The play is based on a piece by the widely known contemporary Lithuanian playwright Marius Ivaškevičius, which presents Lithuania as a certain phenomenon in an original, self-ironic, and intellectual way, revealing the authentic Lithuanian perspective on themselves and the world. For this work about Lithuanian utopias, the author "found" a unique and non-legendary personality from the first half of the 20th century – geographer, traveler, geopolitician, and public figure Kazys Pakštas. Sensing the fate of Lithuania, he envisioned moving it to some African country and creating a "backup" homeland there.
While the first part of director Rimas Tuminas's play, which makes the audience laugh sincerely, focuses primarily on Kazimieras Pokštas (actors Tomas Rinkūnas, Ramūnas Cicėnas) and his insane idea to "gather Lithuanians for mass emigration" to Africa, the second part belongs more to Salė (actress Indrė Patkauskaitė) and her dramatic fate, whose prototype is the sensitive poet Salomėja Nėris. In "Madagascar," the myth of S. Nėris is seemingly recreated, and Salė is turned into an equal to the utopian K. Pakštas. The second part of the play also echoes the catastrophe of the "Lituanica" piloted by S. Darius and S. Girėnas, as well as war and occupation.
The play also mentions other historical figures – writer V. Mykolaitis-Putinas's student and S. Nėris's friend Emilija Kvedaraitė, and the prominent French writer and diplomat of Lithuanian descent O. Milašius, a cousin of the Nobel Prize-winning writer Č. Milošas.
According to the play's director R. Tuminas, the most important thing for theatrical creation is imagination – not figuring out how to do this or that scene, but imagination itself. It allows the theater to be born anywhere. The viewer in the theater should feel as if at a celebration, enjoying the layering of meanings, but at the same time sensing that this celebration is not eternal; it will end.