Playwright, director — Naubertas JASINSKAS
Dramaturgy consultant — Marija KAVTARADZE
Scenographer — Sigita ŠIMKŪNAITĖ
Costume designer — Sandra STRAUKAITĖ
Composers — Dominykas DIGIMAS, Miglė PALKEVIČIŪTĖ-MIGLUMA
Choreographer — Oksana GRIAZNOVA
Lighting designer — Dainius URBONIS
Video projection author — Ričard ŽIGIS
Producer — Rusnė KREGŽDAITĖ
Executive producer — Rugilė PUKŠTYTĖ
Manager — Greta SENKUTĖ
Assistant director — Bartė LIAGAITĖ
Assistant director — Regina GARUOLYTĖ
Assistant playwright — Orestas RAZUMAS
Cast
Vaiva MAINELYTĖ
Jolanta DAPKŪNAITĖ
Alvydė PIKTURNAITĖ
Vytautas RUMŠAS
Karolis KASPERAVIČIUS
Gediminas RIMEIKA
Lukas MALINAUSKAS
Šarūnas Rapolas MELIEŠIUS
Augustė Ona ŠIMULYNAITĖ
"The Devil's Bride" is a musical drama about eternity, passion, youth, and the fear of losing everything. Inspired by Arūnas Žebriūnas' film, the life path of actress Vaiva Mainelytė, the intimate cinematic language of John Cassavetes, and Kazys Boruta's novella "Baltaragis' Mill," the play creates a narrative about the influence of collective myths on our identities.
The creators of the play raise questions: do we want to stop time to experience it, or to maintain control? The story is constructed through the perspective of the main character – a young actress, Jurga, played by Alvydė Pikturnaitė. She no longer understands if she is truly in love or just performing the role of love. The world she once longed to conquer becomes empty, and pleasure can no longer fill this void.
Playwright and director Naubertas Jasinskas says: "We are creating a completely new interpretation of 'The Devil's Bride' – this will not be a new staging of Boruta's work or a dramatization of the film with young actors. This play raises the question: is reconstruction an act of love for the past, or an inability to create and exist in the present? The work is relevant today because we live in a culture obsessed with reconstructions, thus fostering a dangerous relationship with memory. The desire to restore, recreate, and return becomes a safe zone where one can avoid real questions about the present."
Inspired by various sources, the play "The Devil's Bride" consists of two parts. In the first part, the viewer is immersed in the memory of the legendary film "The Devil's Bride" – here it becomes not only a stage act of reconstruction but also the internal memory, longing, and dream of an aging actress. From the point of the past, from a romanticized story about love and eternity, we move to the second part – the present. Here, the meeting of the same characters – a man and a woman – is shown today: their connection has broken, love has ended, and promises have faded. We see not the fulfillment promised by the cultural myth, but a collapse. It is precisely this break that allows for the deconstruction of the myth – that love solves everything. The second part of the play shows that the long-awaited "they lived happily ever after" never arrived. This is a contemporary reflection on the power of time, the discrepancy between memory and reality, and the painful necessity of looking at a myth without romanticized longing.
The play is a co-production of LNDT and MMLAB theaters.