Marius Ivaškevičius. EXPULSION, dir. Oskaras KORŠUNOVAS (Rescheduled from 2026-04-21)

Azimas — Tadas GRYN, Džiugas GRINYS

Azimas; Homeless Pole — Arūnas SAKALAUSKAS

Haris Stilmanas — Paulius IGNATAVIČIUS, Džiugas SIAURUSAITIS

Saško — Vytautas MEDINECKAS (Ironvytas)

Oksana — Augustė POCIŪTĖ

Karlis; Driver II — Marius ČIŽAUSKAS

Criminal; Brother II; Guy from Victoria Park II — Dovydas STONČIUS

British Policeman; Guy from Victoria Park I — Daumantas CIUNIS

Algirdas; Driver I; Homeless person — Algirdas DAINAVIČIUS

Romas — Arūnas VOZBUTAS

Regina — Jolanta DAPKŪNAITĖ, Neringa BULOTAITĖ

Barzdyla — Ramutis RIMEIKIS

Zbignievas — Salvijus TREPULIS

Brother I — Algirdas GRADAUSKAS

Bar visitor — Diana ANEVIČIŪTĖ

Bar visitor — Eimutis BRAZIULIS

Bar visitor — Vesta GRABŠTAITĖ

Bar visitor — Vaidilė JUOZAITYTĖ

Bar visitor — Paulina TAUJANSKAITĖ

Bar visitor — Augustė ŠIMULYNAITĖ

Oskaras Koršunovas: “Expulsion” touches upon a very relevant topic – emigration. We probably don't even grasp its scale statistically: it is only speculated how many people have left, emigrated, but this situation is not analyzed in the political sphere – let alone the cultural and artistic sphere. In art, we have almost no serious analysis, no serious perspective on what is happening now with Lithuania, with the nation. Behind this lie not only the interests of the nation and the state – behind this lie broken human lives, entire odysseys – whether these people will return or not... They leave their country, their homes, their families. Emigrations are different. Today, emigration is different, but there was a time when people went abroad with a one-way ticket, not knowing the language, having nothing, often – deceived... We see such a situation in “Expulsion”.

What is emigration? What lies behind this word? Many things lie behind it, one of the most important of which is the loss of identity. Or perhaps – finding it in another country? After all, the question of individual identity is one of the most relevant these days. “Expulsion” reveals many possibilities and solutions to this question. Essentially, emigration is a horizontal spiritual journey “to happiness,” often turning into a vertical journey downward, into misfortune.”