Director — Marco LAYERA
Creative assistants and choreographers — Carolina de la MAZA and Humberto ESPINOZA
Set designer — Barbora ŠULNIŪTĖ
Costume designer — Marija PETRAITYTĖ
Lighting designer — Dainius URBONIS
Composer — Gailė GRICIŪTĖ
Video projections author – Marco LAYERA in collaboration with "random heroes"
Dramaturgy curator — Rimgailė RENEVYTĖ
Assistant director — Bartė LIAGAITĖ
Translator during rehearsals — Ula LIAGAITĖ
Producer — Lukrecija GUŽAUSKAITĖ
Cast
Vitalija MOCKEVIČIŪTĖ
Augustė Ona ŠIMULYNAITĖ
Jolanta DAPKŪNAITĖ
Algirdas GRADAUSKAS
Dalia MICHELEVIČIŪTĖ
Vainius SODEIKA
Laurynas JURGELIS
Diana ANEVIČIŪTĖ
Play translated from Spanish by Agnė PULOKAITĖ
Marco Layera, a director, actor, acting teacher, and founder of "La Re-sentida" from Chile, will create his first production in Lithuania. His work is presented at the most famous international theatre festivals, including Avignon. At the Teatro Municipal de Las Condes Young Theatre Festival, Marco Layera was awarded the prize for best play; he has also received the Eugenio Guzman award from the University of Chile and was nominated for the Chilean art award Premio Altazor a las Artes Nacionales.
The play, which is based on the work of another Chilean, Juan Pablo Troncoso, and takes inspiration from Tennessee Williams' "A Streetcar Named Desire," follows the main character Blanche (actress Vitalija Mockevičiūtė) as she returns to an unbearably stifling Lithuania after a failed life in one of the major European capitals. She returns from Berlin reluctantly, hiding her artistic failure. Her progressive ideas hit the stagnant, conservative landscape of her hometown like a wall, embodied by her beloved sister (actress Dalia Michelevičiūtė), who recently married a man working in a nursing home (actor Algirdas Gradauskas).
The main character's ambitious desires to become a famous artist have not been fulfilled; she is back in Eastern, not Western, Europe. She is weighed down by time, annoyed by her aging body and a sense of uselessness, while her daughter (actress Augustė Ona Šimulynaitė) is only just creating her own dreams—she wants to be a famous stand-up comedian. The girl makes jokes about her family and mother, mocking the regions located even further east than Lithuania.
The action of this irony-filled play unfolds in a nursing home stifled by heat—here, the characters face not only physical decay and loneliness but also desires, fantasies, and delusions, while talk of a recently deceased healthcare worker speaks to the harsh and difficult reality of nursing work.
The heatwave is more than a meteorological phenomenon: it is an emotional state, a social symptom, an unbearable tension. Bodies heat up, memories ignite, and secrets begin to evaporate. The fans barely turn, and sweat runs silently down faces.
The play is a meditation—at times painful, at times comic—on promises that never came true; it is a reflection on family ties, the current obsession with youth and novelty, the difficulties of caregiving, and abandonment. The work speaks of bodies that the modern world has learned to use up and forget. Western and Eastern Europe are depicted here as two remnants of an exhausted world—ruins from which nothing new will ever grow.