“Far far away”
Immersive performance
Premiere – April 5, 6, 2025
The performance is in Lithuanian and Russian
Creative team:
Director – Mantas Jančiauskas
Dramaturg – Lina Laura Švedaitė
Composer – Mantvydas Leonas Pranulis
Scenographer – Ona Juciūtė
Video artist – Kristijonas Dirsė
Lighting designer – Julius Kuršys
Programmer – Robertas Dumpis
Assistant director – Andrius Darela
Performance manager – Matas Makauskas
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“Far far away” is an experiential journey through the Vilnius Old Theatre, inviting you to an intimate encounter with the theatre’s history and atmosphere. A fragmented dramaturgy, woven from recordings of theatre staff stories, archival material, and music, will fill special, usually inaccessible theatre spaces and lead you further than the naked eye can see. It will allow you to experience the theatre. Both the geography of the building and the different layers of historical and personal memory embedded within it.
The theatre, standing on a hill on Jono Basanavičiaus Street, is like a dormant mammoth or a centaur wandering through a labyrinth of historical shifts, regimes, and history. The building will wake up, speak out, and bear witness to you, about you. You will be able to be a witness to all of this. There is no doubt – you will be surprised. The performance will engage all 5 human senses: sight, hearing, smell, touch, and taste receptors. You will become the theatre, the history, the centaur, and they will become you.
The Vilnius Old Theatre building was erected in 1912-1914 on the then-Pohulianka Street through the initiative of Hipolit Korwin-Milewski, Countess Klementina Tyszkiewicz, printer and intellectual Feliks Zawadzki, and Mieczysław Bogdanowicz, using funds donated by the city's residents. While there were many similar theatres in Europe at the beginning of the 20th century, this theatre is exceptional in the Lithuanian context – one of the oldest, and this year it marks its 111th anniversary. In the context of historical transformations, the works of Polish, Lithuanian, and Russian artists met and passed each other by in the theatre, and the walls have likely heard every language spoken on the streets of Vilnius. This theatre is a cell of Lithuanian and Vilnius history, its DNA.
The dramaturgy of the performance is composed of documentary material – fragments of testimonies, sentences, a poetic collage glued together from them, voices as if talking to each other. The musical concept is based on the principle of field recording processing: a new, modern soundscape is formed from old theatre sound recordings (texts, music) and interviews with theatre staff, utilizing modern electronic and live musical instruments. The scenography is the interior of the building itself, the objects within it, elements of old performances, decommissioned costumes, artifacts of scenery and archival material – a table, a photograph, a lamp...
“I want to invite the viewer into a certain meditation on memory. At the same time, to ask why we attach ourselves to a certain past, what is our relationship with the past? Every historical period has inscribed its trace, its voice, into this space. But whose memory dominates here? Who chooses what to remember and what to forget, and how? How did the building, where different theatres existed, become not only a center of cultural life but also a field of battles for memory?” (Mantas Jančiauskas)
Each viewer will travel through the theatre individually, wandering through the spaces all alone. A virtual guide, headphones, and technology will help you do this. You will not get lost. In this case, there is definitely an exit at the end of the labyrinth.
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Mantas Jančiauskas (born 1992) is a young generation artist who graduated from the Lithuanian Academy of Music and Theatre in 2018 with a degree in theatre directing (course leader – Gintaras Varnas) and has acted in films. He experiments with different art forms, seeks new ways to convey stage reality, and pays special attention to documentary, site-specific theatre formats, and the integration of technologies that allow for the expansion of the traditional theatre experience and the limits of perception. In his work, he sensitively explores social themes and stands out for his innovative approach to theatrical reality. M. Jančiauskas's works to date (“Dreamland”, “Glaistas”, “Vaidina Marius Repšys”, “Portalas”, “Ekskursija”, “Drebėjimai”, “Vedami”) have received recognition and have become theatre events.