An elegant, beautiful agent, strong-willed yet deeply sensitive, even fatalistic. Interwar Lithuanian intelligence officer Marcelė is often called the Lithuanian Mata Hari.
The "Lietuva" ensemble presents a premiere – the dance performance "Marcelė. Nematoma fronto linija" (Marcelė. The Invisible Front Line), inspired by the life and inner stance of the legendary Lithuanian intelligence officer Marcelė Kubiliūtė. The premiere of the performance will take place on April 21, 2027, in Vilnius, at the Lithuanian National Drama Theatre, and will later be shown in other Lithuanian cities.
"Famous names emerge in history, but there are people who quietly, without awards or guarantees that they will ever be remembered, do what changes the fate of the state. Such was Marcelė Kubiliūtė – a silent heroine whose life is inseparable from a complex period of Lithuanian history: the struggles for independence, political tensions, secret operations, and constantly changing threats. We do not seek to retell her biography – we are creating a sensitive, visual interpretation in which human choices, inner tension, loyalty to values, and resistance are revealed through movement," says the director and chief choreographer of the "Lietuva" ensemble, Aušra Krasauskaitė, about the concept.
Marcelė Kubiliūtė is one of the most mysterious women of 20th-century Lithuania. A press and public figure, secret courier, intelligence officer, and riflewoman, participant in the June 1941 uprising, rescuer of Jews, resistance fighter, and political prisoner, but above all – a human being who chose a life where personal fate was sacrificed for the idea of freedom. From 1918 to 1925, she worked in Lithuanian intelligence, and in 1919, she delivered secret documents of the Polish authorities to Kaunas, the then-capital, including the ciphers of the organizers of the uprising being prepared by the Polish military organization in Lithuania (this helped liquidate the rebel organization). M. Kubiliūtė is the only woman in Lithuania awarded all the most important orders of independent Lithuania (the Cross of Vytis, the Order of Gediminas, and the Order of Vytautas the Great), yet she died in poverty during the Soviet era, working as an ordinary typist, faithful to her secret and her country.
The dance story about Marcelė is the third project in A. Krasauskaitė's triptych of dance performances about prominent Lithuanian women: in 2025, she created "Žemaitė N.18(0)", and in 2026, "Sofija. Genijaus šešėly" (Sofia. In the Shadow of a Genius), which is still being successfully performed.
"After Žemaitė and Sofija, I want to turn to another woman who still occupies too little space in our historical memory. Marcelė acted quietly, in the shadows, but her choices were monumental. She operated under extremely dangerous conditions and risked her life. In dance, it is very interesting to look for a way to show what is essentially invisible – secrecy, vigilance, danger, information traveling from person to person, and a person's inner struggle. At the same time, in the new season of the 'Lietuva' ensemble, I want our dance troupe itself to be even more vigorous – to grow in mastery, courage to experiment, and set an ever-higher bar for itself," the director and choreographer continues.
One of the important dramaturgical lines of the performance is the story of Marcelė Kubiliūtė and Liudas Gira. Having initially worked together, they later choose opposite sides: Gira begins to cooperate with the Soviet authorities, while Marcelė remains faithful to the idea of a free Lithuania. This turning point highlights one of the most important questions of the performance – what does it mean to preserve your values when every decision has real consequences?
The historical background in the performance will not be a decoration, but an active part of the dramaturgy. It will act through movement structures, rhythm, solo, and mass scenes, where movements will create what often remains beyond words: hidden messages, broken connections, silent transmission of information, a double life. Bodies on stage will act like codes, signs, fragments – sometimes clear, sometimes deliberately hidden, creating a field of tension and mystery. Mass scenes of dancers can turn into networks, structures through which information flows, and solo episodes – into intimate experiences revealing human loneliness in the face of choices. In the artistic language of the performance, contemporary dance will combine with elements of physical theatre and symbols. Transformable minimalist scenography, light, and an atmospheric soundtrack will help convey the threat, constant vigilance, and Marcelė's inner transformations.
In the performance, Marcelė will be revealed as a multi-layered personality – strong and vulnerable, rational and deeply feeling. Her story will speak to today's viewer about responsibility, citizenship, the courage to act, and the ability to remain oneself even in the most difficult circumstances. Marcelė here becomes not only a historical figure but also a symbol of a person who chooses not a comfortable, but a meaningful path. At the same time, the performance reminds us that even a silenced or unnoticed human voice can act and change history.
Director and choreographer A. Krasauskaitė is a laureate of the "Golden Stage Cross" and the "Gratitude Mask," creating in various Lithuanian theatres. In addition to the mentioned dance performances, she created the choreography for the musical drama "Emilija," the collage opera "Mažvydas," the musical drama "Sakmė apie dovanotą širdį" (The Tale of the Gifted Heart), and the dance performance "Šokio simfonija iš Šiaurės Jeruzalės" (Dance Symphony from the Northern Jerusalem) for the "Lietuva" ensemble, and directed the dance performance "Dėdės ir dėdienės" (Uncles and Aunts) based on Juozas Tumas-Vaižgantas.
A creative team that has already worked many times on other ensemble productions has been assembled for the premiere: playwright Giedrė Kriaučionytė-Vosylienė, scenographer Modestas Jančiulis, lighting designer Pijus Vasiliauskas, music director Andrius Čaplikas, and others.
The project is partially funded by the Ministry of Culture of the Republic of Lithuania.
Creative team:
Director and choreographer – Aušra Krasauskaitė
Playwright – Giedrė Kriaučionytė-Vosylienė
Scenographer – Modestas Jančiulis
Lighting designer – Pijus Vasiliauskas
Music director – Andrius Čaplikas
Soloists:
Marcelė – Greta Frolovaitė-Czaplis / Alina Jazdauskytė
Performers:
Dance troupe of the State Ensemble "Lietuva"